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:''See Historically informed performance for a more detailed explanation of this topic.'' The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries. The idea of performing early music more "authentically", with a sense of incorporating performance practice, was more completely established in the 20th century, creating a modern early music revival that continues today. ==Study and performance of ancient music before the 19th century== Musicians working before 1800 were already beginning to study ancient music. They did not seek to perform the music according to its original performance practices, which constitutes a primary difference between pre-1800 interest in ancient music and modern interest in early music. In England, Johann Pepusch developed an "Academy of Ancient Music" in the 1720s to study music by Palestrina, Tomás Luis de Victoria, William Byrd, Thomas Morley, and other 'ancient' composers.〔Haskell (1988), p. 14〕 At the end of the 18th century, Samuel Wesley was promoting the music of Johann Sebastian Bach, and in 1808 began performing Bach's organ music in a series of London concerts.〔Haskell (1988), pp. 14-15〕 In Vienna, Baron Gottfried van Swieten presented house concerts of ancient music in the late 1700s, where Mozart developed his love of music by Bach and 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「early music revival」の詳細全文を読む スポンサード リンク
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